Showing posts with label Artie. Show all posts
Showing posts with label Artie. Show all posts

Wednesday, June 23, 2010

Mummies aren’t real and neither is Santa Claus!

Today was Art ‘n Action Camp for 5 – 8 year olds. Actually, camp goes all week long, but today was the first chance I had to sit in and watch. Tomorrow, I hope to observe the older kids (9 – 12) at Camp Art Exploration.

For as loud and ridiculous as this morning was, it turned out to be a lot of fun! I really like the methods that Miss LaVern and Miss Liz use to run their classroom. And it does run very much like a classroom. There is a certain amount of discipline necessary in a room with 11 5-8 year olds, but I think the idea is to keep the atmosphere fun and light, at which Liz and LaVern are highly skilled. I did have to laugh at one point, when a little boy wouldn’t stop rocking his stool back and forth (risking a head injury) Miss LaVern simply confiscated his stool and let him stand for the next few minutes. It seemed a little stern for “art camp” but I understand that if the instructors aren’t able to project some aura of authority, then chaos will ensue.

I came to camp a little late, so as I was arriving, the group was finishing up one project and getting ready to take a museum tour.

Back when I worked at the historical museum, I spent much of my usual day giving 4th graders an “orientation” (or snorientation… borientation… as we would sometimes call them) to the museum. The orientation included a recitation of the rules of the museum—though we weren’t supposed to call them “rules” so much as “guidelines”. Anyway, sometimes kids would listen intently… and other times I was practically peeling them off the walls while I ran through my 2 minute speech. It was not the most effective way to communicate museum behavior to the kids, but it was the most efficient. And on days when groups were coming in every 15 minutes… efficiency is next to godliness. I think I can still recite it in my sleep.

But I liked the way Miss Liz prepared the campers for their gallery visit. While they were seated at their tables, she said that we would be going into the museum and asked, “What are some things you think might be important in the museum?” Immediately, the kids came up with “Don’t run and scream!”, “Stay with the group”, and “Don’t touch anything”. For the record, these were the three things that I spent 2 minutes explaining every day at the historical museum. These exact 3 things. But the kids came up with them right off the bat. It was great. And because they came up with them on their own and Liz wrote them on the board, they seemed to remember them pretty well. I should have timed how long it took the campers to come up with those rules. I bet it was less than 2 minutes.

While I observed this, I took a moment of silence to reflect on all of the snorientations happening at the historical museum today. I still have good friends working there, and I know they appreciate a well presented orientation.

Speaking of the historical museum; I can remember some of the most frequently asked questions I heard over my 2.5 year tenure there…

1.) Where’s the bathroom?
2.) How do I pay for parking?
3.) Do you have dinosaurs?

Well, #3 reared its ugly head again today! After the list of rules, the next comment was, “Are we going to see dinosaurs??” To which Liz said, “There aren’t any dinosaurs… but we have mummies… and mummies are… umm… old… like dinosaurs… kind of.” Nice recovery Miss Liz.

So of course, our second stop (after petting Artie) was the Egyptian exhibition. I heard a kid yell “Mummies aren’t real and neither is Santa Claus!” before he stopped dead in front of the case with the mummy. “Is there a person in there??”, he asked me. I pointed to the accompanying X-ray, which clearly shows the skeleton within the wrappings, and he was awestruck. I managed to impress an 8 year old, and I felt SO cool. Though I’m not sure there was much I could do about his opinion of St. Nick.

When we got back to the studio, I was then able to observe the kids do a project from start to finish. It was really interesting and I liked the way LaVern presented the project.

The kids would be making family photo albums. But the books were really cool—they were made of all kinds of paper and cut into crazy shapes and stuff. LaVern showed the kids a few examples of books that others had made, including some by herself and Liz. After which she said, “You don’t have to do what Miss Liz and I do. You probably have other ideas, but we are here to help you.”

Miss LaVern

I had mentioned before that these workshops provide structure with room for creativity, and I think LaVern’s comment really exemplified the teaching philosophy of the DIA art studio. By the time camp was over for the day, photo albums were taking the shapes of sharks, stars, and rocket ships of all colors, sizes and arrangements. Yet they were all still photo albums. Perfect.

Making memory boxes

For this age range, attention span is always an issue. To combat this, each segment of camp is only about 15 or 20 minutes. A 15 minute museum tour, followed by a 20 minute snack time / run around the lawn, then 20 minutes to finish yesterday’s project and another 15 or 20 to get started on the photo albums, and so on. It keeps the kids from getting burnt out on any one project, and also—kids work fast. They don’t usually take much time to sit and consider their project. If you put paper and scissors in their hands, they are cutting immediately. 20 minutes is often all they need to complete a project.

Havin' a great time at art camp
(Photos can also be found at diaartstudio.wordpress.com)

Camp Art ‘n Action is just another example of all the things the DIA is doing right. The kids were having a great time, they were being creative and making some really neat stuff. How much more can you ask for from a 3 hour art camp? I used to do art classes after school at a community center (every Wednesday, I believe) for several years and I remember loving it. But there is such a benefit to doing these kinds of classes IN the museum! It adds another dimension of enjoyment and education to the class.

Well, that and the kids get to be messy and look at mummies. I call that a win.

Tuesday, May 25, 2010

Our Business Model is Badly Broken

Graham Beal gave a speech at the volunteer program today, for which I was pleased to be present. I had been hearing a lot of things, second hand, and was interested in his thoughts.

He spoke primarily (and apologetically—this is supposed to be a celebratory occasion, after all) about the DIA’s financial situation and stated that “our business model is badly broken”.

For many years, 16 million of our 22 million dollar budget came from the State of Michigan. Last year, $10,000 of our now 32 million dollar budget came from the State of Michigan.

Mr. Beal expressed that what the DIA would really like is stability and believes this can be achieved by setting up an unrestricted endowment. The endowment the DIA is currently working with has something in the ballpark of $70 million. At around 3% interest, that would generate about 2.1 million per year (remember-- the budget is 32 million).

To establish this endowment, what the DIA intends to do is launch a millage campaign, proposing a 10 year property tax, which would then be used to build the endowment—ensuring the DIA some long term financial stability.

A poll was conducted in the community and the response was overwhelmingly positive. A similar campaign for the Detroit Zoo was launched a few years ago, and was accompanied by billboards that tugged at the heartstrings in all the right ways. The Zoo millage passed with incredibly high numbers.

Who Doesn’t Love Giraffes?

It was a concern that the DIA millage would not be as successful because art museums and zoos are perceived so differently by the public.  Zoos have very family-friendly amenities like sno-cones and stroller parking. Art museums are not always perceived as being a place for families to spend a Saturday afternoon. Thus, there was concern that the DIA would not receive the same support from its surrounding communities. However, the polling company was stunned by the data they collected, which showed great support.

Interestingly, the original millage proposal had multiple cultural institutions on the ticket. However, the polls showed that people did NOT show the same support for the shared millage. Thus, the DIA dropped the other institutions, in favor of going it alone because it could so drastically increase their odds of winning.

And nobody minds.

Graham Beal expected the other institutions to be a little miffed when he announced that the DIA would be the only institution on the ticket (and thus the only one benefiting from this property tax). Yet, he claimed that his colleagues handled this news graciously. I found this incredibly hard to believe until he explained why.

Mr. Beal reported his colleague at the Detroit Symphony Orchestra as saying, “A strong DIA helps every cultural institution in the city”.

Wow. That is gracious.

But the gentleman at the symphony has a good point and another colleague is reported as noting that if the millage passes, “that will be a major institution that is no longer asking for money, and that helps everyone”.

These are both excellent points. If the DIA can be self-sufficient, then it will be sucking significantly less money from donors around the city, who will then be able to donate to The Detroit Symphony Orchestra, The Detroit Historical Museum, The Science Center, and every other cultural institution in Detroit.  Sounds good to me.

"Artie" The Donkey

Also, I think I should be featured on a billboard, feeding something to Artie and giggling. Millage accomplished.